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AACT
CINDERELLA (ARNOLD)Add to Cart
By: Justin ArnoldAdd to Wish List
Script: $9.00
   (Available in hard copy or digital download—choose at checkout)
Notebook Script: $16.75
   (8.5 x 11 3-ring binder with large margins for notes.)
First Performance Royalty: $75.00
Each Additional Performance: $75.00
Limited Video Rights: $50.00
Limited Streaming/Broadcast Rights: $50.00
Extra Streams: $0.50
Type: Full Length Play
Genres: Comedy, Classics
Theme: Classic Adaptations
Running Time: 100 minutes
Speaking Cast: 8 females, 6 males, 1 either, 15 total cast
Flexibility: 4-20 extras, doubling possible
ISBN: 978-1-61588-454-4
Script Preview   Author Notes   Photo Gallery   Productions
 
Author's Notes:
There are countless adaptations and retellings of Cinderella. So many that I'd long said I couldn't write anything 'new' or 'original' for it and left it off the table. To this day, I don't know what changed my mind, but there came an afternoon when I suddenly felt the need to write Ella's story, and I did something I've never done before – I started writing immediately, without thinking or planning first. By the end of the prologue, after seeing a raven winged godmother and a flurry of plague doctor masks cross the page, I felt like I was discovering the messy side of the story that you don't often see. It became my mission to create a Cinderella with Deja vu. You've definitely seen this story before, yet something is disturbingly different.

I decided early on that I didn't want to go the route of “if you're very kind then you'll have a happy ending.” People are more complicated than this, and I personally never liked that Cinderella was always so sticky sweet, though I admired her resilience. Instead, I made her argumentative and frustrated. It was also important to me to develop the character of the prince, and so I gave him sarcasm and cheekiness to balance Ella out (not to mention allow for some fun bickering!), as well as his own journey with finding his place in the world. Beyond this, everyone except for the Fairy Godmother has a name. I did this to keep an air of mystery about her, because I personally like some questions to be left unanswered.

In terms of staging, it was my goal to create a Cinderella that focused on the characters of the story rather than rely on hefty special effects. The original production of this script was presented as part shadow play, with a white scrim upstage center. With footlights placed behind the scrim, we were able to stage several magical moments such as the hazel tree growing, the pumpkin becoming a carriage, Ella's transformation, and the step-family tying on the slipper while Ella was locked in the kitchen. This effect ended up being so striking that we ended up adding the Godmother's shadow (bird wing and all) appearing during the prologue and Max's escape from the palace. If you choose to go this route, there's no end to the images you can create! Projections can also be an effective and simple effect, or you can choose to have the bigger moments like the pumpkin growing or Ella's transformation happen offstage. That said, feel free to make the production as flashy as you can allow! Just know that you're not required to.

At the end of the day, I believe the key ingredient to a production of this script is honesty. Actors should be encouraged to find the real person in these characters, rather than playing to the stereo-type that they're based on. Please feel free to find our own take on this “Once upon a time” in terms of the design and costuming. Bottom line, it is a fairy-tale, and so you should have fun creating it!

 
Synopsis
“Wear the rags. Sleep by the fireplace. Be a good girl, keep silent. Go to the ball, dance with the prince. Hope he figures out how to save you. Yes, madame. No, madame. Be kind. Be complacent––Wow. Forget. That.” This is not your average Cinderella story––Ella’s got grit and moxie.
 
A plague ravages the kingdom taking the life of Ella’s mother and brother, causing everything to change. Years pass and the kingdom has not recovered. Her childhood best friend, Prince Max, is still locked away in the castle. Her drunk father is getting remarried to a cold woman with two terrible daughters who take Ella’s identity, dignity, and force her to live as a servant in her own home. Just when Ella feels like giving up, her raven winged godmother appears and works magic. Reminding Ella that she has enough courage to solve her own problems. Based on both the Perrault and Brothers Grimm versions, this rendition of the classic fairy-tale blends light and darkness to create a darkly humorous and emotionally relevant Cinderella for today's audience.
 

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